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He does not love like Romeo, with a love that takes entire possession of his mind.He has felt himself drawn to Ophelia while his father was still in life, has sent her letters and gifts, and thinks of her with an infinite tenderness; but she has not it in her to be his friend and confidant.
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There is nothing more profoundly conceived in this play than the Prince's relation to Ophelia.
Hamlet is genius in love -- genius with its great demands and its highly unconventional conduct.
"Her whole essence," we read in Goethe, "is ripe, sweet sensuousness." This is saying too much; it is only the songs she sings in her madness, "in the innocence of madness," as Goethe himself strikingly says, that indicate an undercurrent of sensual desire or sensual reminiscence; her attitude towards the Prince is decorous, almost to severity.
Their relations to each other have been close -- how close the play does not tell.